![]() Study visit at the State University of New York at Buffalo including a guest performance at the San Diego State University, where he meets up with eminent scholar and critic Larry McCaffery to start work on a "recyclopedia" of Federman's work. Master's thesis on the real fictitious discourses of French-American "postmodern" author Raymond Federman (published in 1995 by The Edwin Mellen Press, New York). Seriously infected by postmodernism and the F(ederman) virus (still no cure known). Barely managing school leaving exam with the objective of enrolling in English and American Studies at the local university. Mostly playing truant (and bass guitar) in senior classes while reading Dostoevsky, cultivating a strong adolescent identification with Dostoevsky's idiot. by assorted bus tourists chanting Papageno's Song (from Mozart's Magic Flute) on their way to the city's places of interest (he still abhors Mozart's balls - no pun where none intended). Thomas Hartl was born in 1965 smack in the center of Salzburg, Austria. Reprints of books by such important metafictional / experimental / postmodern (your shtick here: _) authors as Federman and Sukenick will be accompanied by reprints and first editions of corresponding scholarship in literature and the arts. Frey (now Nolet) gave her permission for an appropriate reprint of her late husband's works. Invisible Starfall Books was able to actually launch this thought rocket because the widow and heir of Ronald Sukenick, Julia B. Nonetheless meet the highest requirements in terms of layout and textual quality. These editions should be affordable and printed on demand, but ![]() As if out of the blue, the publisher's mind took hold of the idea of bringing as many texts as possible by these two important contemporary US-American authors into the 21st century via new editions. But not only those of his late friend Federman, but also large parts of the oeuvre of one of his other champions, the second part of the "bad boys of postmodernism" duo, Ronald Sukenick. 01 of Invisible Starfall Book's Interventions in the Arts Series), he painfully had to learn that almost all important books published by Federman had gone out of print. When the publisher of Invisible Starfall Books (see other column) began collecting his texticules long ago written on postmodern enfant terrible Raymond Federman for his collection Moinous: Writing Raymond Federman (Vol. ![]()
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